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Impressionists in Winter: Effets de Neige
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Sisley, Snow at Louveciennes, 1874 |
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Monet, Meule, Effet de Neige, le Matin (Morning Snow Effect) |
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Six artists respond to snow. Three use snow as a
constant reference in their paintings: Claude Monet, Camille Pissarro, and Alfred Sisley.
Three paint with occasional deference to the surprise of winter color: Pierre-Auguste
Renoir, Gustave Caillebotte and Paul Gaugin.
The variations of
the colors of snow and the seeming similarities of palettes bring out particular points of
view often overlooked in other work of these painters. Our attention is brought to
details, encouraged to focus on effects which might be missed elsewhere.
Claude Monet, the most
prolific of the six, becomes more daring in his later paintings, juxtaposing a red scarf
or shocking train lights against the vagaries of soft snows prismatic shimmer.
Pissarro shows sinuous soft focus. Renoirs work, usually translucent, shows hard
edges and unexpected compositions. Gaugin carries a practically tropical green to
the Seine and sensuous curves to Breton village cottages.
Get lost in great golds of
Sisleys evenings and stare at the brilliant peach colored balloons in a snowy
crowded street. Dont miss Caillebottes magnificent sculptural elements that
anchor his paintings.
This exhibit reveals the underpinnings of beautiful
paintings. The contrast of the snow against other elements in the paintings brings the
angle and lines of the landscape to dominance. The curves of the hills, emphasized
perspective lines of Pissarro, the angles of the roofs make us see the fine attachments of
the abstract to the beautiful representation of the scenes.
The colors of
snow--this show will warm you.
- Harriet Lesser
(exhibition over)
Suggested reading: The catalogue from the show Encyclopedia of Impressionism (1997), Michael Howard The Great Book of French Impressionism (1997), Diane Kelder Impressionism: Reflections and Perceptions (1997), Meyer Schapiro |
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