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Common Man, Mythic Vision: The Paintings of Ben Shahn
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New
York, 1947 |
| .... |
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Italian
Landscape II: Europa, 1944, |
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Approximately
50 works, including paintings, photographs and theatrical masks have been gathered
together for the first time in almost a quarter of a century to provide an illuminating
overview of Ben Shahn's social realist oevre. The exhibit concentrates on Mr. Shahn's
later years, 1936-1965. Workingin a narrative
tradition, the painter created allegorical works depicting the social conditions of the
common man of his time, often embodying the horrors and traumas of life for the
"outsider" in the mid 20th Century.
Included in this
exhibit are paintings reflecting Shahn's youth, such as New York, a dream-like
composition evoking a pungent nostalgia. A series of ghostly paintings, including Italian
Landscape, depict the emptiness and waste of war through the use large flatly
paintedsurfaces and colors that appear to be both bright and muted at the same time.
A stunning jewel to behold is Beatitude, a painting of tranquil beauty and
muted serenity.
The small exhibit
concludes with a selection of paintings from the Lucky Dragon series. Based
on a the experiences of a Japanese boat crew exposed to atomic fallout from a hydrogen
bomb test in the Pacific, these vivid paintings, in beautiful and painfully bright hues,
portray the events allegorically, incorporating traditional Japanese symbology. I Never
Dared to Dream is the apogee of these paintings.
- Mark Kane
(exhibit over)

Ben Shahn: Still Music
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