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CV admits from the start: we hated Welcome
to the Dollhouse, Todd Solondz' 1995 film, which we found to be unfunny and mean
spirited. Fortunately, our good friend Tessi Tura urged us to try a little Happiness
and who could refuse such a suggestion?
Happiness, of course, is
about precisely the opposite. This is a film about a complexly related group of characters
- a family of three sisters, one married with a family of her own, their parents, and
other people who come into their lives. Each and every character we meet is emotionally
needy, looking for love or recognition or success or all of the above, generally in highly
dysfunctional ways, and uniformly failing to find it. A panoply of very sick behaviors is
paraded before us, including, but not limited to, rape, child abuse, compulsive
masturbation, wife beating, dirty phone calls, murder, and castration. This is one very
unhappy bunch of folks. Unrequited love has seldom been so vividly expressed.
Is it funny? Yes,
indeed. We are talking humor here in a shade of black that a raven would envy. There are
plenty of easy giggles ("I like living in New Jersey; living in New Jersey is
living in a state of irony."), but it is the sad funniness that is at the core of Happiness
and makes it powerful, because, as in all comedy, it is drawing on all our weaknesses,
touching on all too many universally familiar feelings of inadequacy or inferiority or
impotence. Who has not been there at one time or another? Solondz takes this all to
extremes, maybe a necessary ploy to grab the attention of today's audience. Three hundred
years ago Jonathan Swift used the same strategy.
If CV has one
complaint, it is that Solondz has tried to cover too much territory here, as if he was
afraid to miss a single permutation of modern miseries. A little less might have been a
lot more, as the film stretches out to better than two hours.
Recommended, but not
for all tastes.
- Arthur Lazere