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Shrek (2001)
Shrek starts off at a decidedly
low point, with a couple of flatulence jokes punctuated by Smash Mouth's "All
Star" on the soundtrack. But it quickly
evolves into a family film more than worthy of the term, and by its end we've been
enchanted by a fairy tale world of green ogres, fierce dragons, talking donkeys and yes
beautiful princesses waiting to be rescued. But
it's no sugar-coated tale of all sweetness and light.
There's plenty of irreverent satire, parody and sarcasm for teens and adults
to savor as well.
In
Shrek the technical talents at PDI/Dreamworks
have raised the ante yet again for computer-animated feature films. Pixar's Toy Story series
did a great job of portraying everything except the people - hard, flat regular surfaces
are a lot easier to mimic than human skin and hair. Disney's
Dinosaur managed to capture hair and fur with
stunning realism, but there were no humans on screen to use as a benchmark.
In
Shrek the computer animation technicians have
turned the realism knob up a notch;
even the human characters are near lifelike. They're
not quite 100% of the way there, as motor movements,
both large and small,
and facial expressions still appear somewhat robotic.
But as this is a fairy tale, this detail is less important and virtually becomes
transparent just a few minutes into the film. The
PDI/Dreamworks crew have also used their technology talents to populate Shrek's world with an abundance of minute detail
(the production notes boast of 28,000 trees with three billion leaves) and a large number of extras and
background characters, in some scenes there literally is a cast of thousands.
All
the technology in the world can't make up for a weak and uninvolving story, however, (see:
Star Wars I The Phantom Menace) and
here Shrek delivers as well. The title character (Mike Myers) is a huge green
ogre, living by himself in a fetid swamp at a far corner of the kingdom of Duloc. One day he awakens to find the tranquility of his
remote outpost shattered by hundreds of newcomers. The
diminutive Lord Farquaad (John Lithgow) has decreed that all fairy-tale characters must be
exiled from the city, and Shrek soon has blind mice and little pigs underfoot. The scene where Duloc townspeople turn the
characters in for a bounty is priceless--we
see Geppetto eagerly pocketing the coins he received for ratting on Pinocchio. Shrek heads into town to complain, accompanied by
a donkey (Eddie Murphy) who knows the way. When
they arrive at Farquaad's very tall castle
("Making up for a shortcoming elsewhere, wouldn't you say," quips Shrek) they're
sent on a mission to rescue the beautiful Princess Fiona (Cameron Diaz) who is to
be Farquaad's bride.
In
return Shrek will get his land and privacy back.
But
that's just the basics. Shrek uses this time-honored fairly tale structure
as merely a clothesline on which to hang inventive takeoffs on the genre itself and
everything from Busby Berkeley musicals to John Woo martial-arts flicks, romantic comedies and Jurassic
Park. The credits list four writers,
usually a bad sign, but this crew obviously had great fun concocting the script, and it
shows. There's more than enough visual jokes
to warrant repeat viewings to catch them all. Andrew
Adamson and Vicky Jenson debut as directors
here and manage to keep both the story and the humor continually rolling, with several
very nicely-edited sequences that would be the envy of most live features.
The
computer-generated characters make good use of the talents at hand. Lord Farquaad and Princess Fiona both move and
gesture much like their human voice providers, Fiona especially. Myers gives voice to Shrek using a takeoff on his
Scottish "Fat Bastard" character from the Austin Powers
films, to good effect. And just as he did as
Mushu the Dragon in Mulan, Murphy manages to steal most scenes;
the donkey gets most of the snappy comeback lines.
Like
any good fairy tale there's a moral here: love yourself for who you are, and true beauty
is on the inside. But Shrek manages to give even that old adage a
90-degree twist. So is there a happy ending? Sure (after all, this is a fairy tale).
But it's one that you probably won't see coming. Shrek
contains surprises and delights in practically every scene.
The total package is magical to behold, clever and hugely entertaining for
all ages.
- Bob Aulert