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You take
liberties.
Im an
American. Were the liberty people.
--Exchange
between Minister of Information Naji Al-Hadithi and CNN Executive Producer Robert Wiener
Back in 1990 CNN
had the mighty baritone of James Earl Jones, but it was not yet a global player. In the
industry, in fact, it was chided as the Chickenwire News Network. Live chronicles the six-month ramp-up to Desert
Storm, beginning with Wieners conviction that live coverage of the imminent war
would put CNN on the map and be his journalistic walk on the moon.
With an almost
fatalistic staff in place, their holy grail is the ungettable getan
interview with Saddam Hussein himself. To this end, Wiener carefully cultivates the Iraqi
Minister of Information Naji Al-Hadithi (David Suchet),
only to see CBSs Dan Rather edge him out for face time with Saddam. Still, his
patient relationship with Al-Hadithi pays dividends as his crew becomes the first news
organization to fly into Kuwait and later, most importantly, as Wieners request for
a four-wire cable is approved. This cable, which allows them to broadcast
directly from their suite at the Al-Rasheed hotel to Atlanta, ultimately gives them the
edge over all other news bureaus.
But while
technology might seem to play deus ex machina in
this tale, it is Wieners relationship with Al-Hadithi that redeems any vainglorious
braying on the part of CNN. As compassionately rendered by David Suchet, Al-Hadithi is a
worthy adversary to Wiener and not without considerable charm. The one Iraqi given a
speaking role in this version of human events, he asks us to consider that even under the
tyranny of Saddam, a citizen may remain fair-minded and even hopeful for peace. Amid the
rubble from our Scud missiles, Al-Hadithi assures Wiener: I will see you when this
war is over.
Wieners
tango with Al-Hadithi also recalls Michael Manns film The
Insider, about "60 Minutes" Producer Lowell Bergmans contentious
relationship to his network as he pursues an expose of Big Tobacco. In Live, however, CNN is depicted as hands-off
management where Wiener and his cronies are concerned. One wonders if they would have been
so supportive, had he been operating within arms reach.
Live may be considered as a companion-piece
to David O. Russells black
comedy Three Kings, which begins at the end of the Gulf War. But while Kings is a rebuke of the Bush pere administration for privileging our petro
interests over the safety of Iraqi refugees, Live
provides us with an insiders view of the fourth estate without losing sight of the
humanity of its subject. While Wiener is a charter subscriber to the CNN mantra, If
we see it, we report it, he is plagued by the consequences of his actions:
Just keep those cameras rolling. Wait for the bomb to drop.
Michael Keaton gives his most taut performance since an uncredited turn
in Out of Sight and Helena
Bonham-Carter has split the difference between her Merchant Ivory days and her desolate
Marla in David Finchers Fight Club. She may yet give Cate Blanchett a
run for her money as our most versatile actress. The luminous cast, which includes the
always committed Lili Taylor, Bruce McGill as a dead-on Peter-Arnett, and John Carroll
Lynch as stolid John Holliman, provides anchor for its leads.
HBOs telecast of Live from
Baghdad could not be more timely. The film premieres four hours before Sunday,
December 7, when the 30-day deadline of U.N. Resolution 1441 will have expired. It is
unlikely that Saddam Hussein will comply with the U.N.s request for a list of his
covert weapons programs and with this lapsed obligation, the Pentagon is expected to call
up the reserves, 10,000 strong. History seems doomed to repeat itself, as they are to be
deployed to Iraq to shed blood anew.
- Jerry Weinstein