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Thats Franny as in Franny
and Zoey, not Fran as in Francis. The name is no coincidence. Franny is a 17 year
old girl - strike girl, young woman full of herself and reverence for J.D.
Salinger. She has changed her name to reflect this. As in Catcher
in the Rye, Frannys Way is narrated by the central character, in
this case Franny as a 60 year old woman. Emmy award winner Penny Fuller is the older
Franny. She begins her tale and informs the audience she will also play her own
grandmother when Franny was 17. Elisabeth Moss (the Presidents daughter on West
Wing) is the younger Franny. There is no mystery that this is a tale inspired by Catcher
in the Rye since she tells us that herself. Holden Caufield, a 16 year old in a
psychiatric facility, was telling his story to his analyst. Franny makes it clear she is
acting when she states she will play both parts as "I am just about the same age now
as she was when this took place."
There are a number of surface similarities to Salingers iconic
tale of adolescent angst, but Frannys issues are within the range of normal coming
of age; there is no suggestion she is in a downward spiral that, as Holden was, would land
her in a psychiatric hospital.
Franny and her 15 year old sister have come to New York from upstate
with their grandmother to visit a cousin who has just lost an infant, apparently to
S.I.D.S., a diagnosis that did not exist in 1957 when the story was set. The two
youngsters were more focused on the exciting trip, than on the tragedy that initiated it.
Dolly (Dominica Cameron-Scorsese) the younger is thrilled to get to go to Gimbels and then
the Broadway production of My Fair Lady. Franny secretly intends to see her
boyfriend at NYU; she has brought her diaphragm. Their anticipation is palpable. The
younger sister makes a pretense of caring about her cousins loss, though that is not
her real agenda. Seventeen year old Frannys narcissism allows her not even to go
through the gestures. Holden Caufield, on the other hand, had been devastated by his
brothers death.
The play opens with the sounds of exuberant love making. Totally nude,
Sally (the New York cousin) and her husband, Phil, stumble on stage to grab a post coital
beer from the frig and continue playing with one another. The spell is shattered when she
checks on the her baby and discovers the infant is dead. Though Moss and Fuller receive
top billing, it is Susan May Pratt whose portrayal of the brave but heartbroken Sally
makes the story come alive. Not much older than her young cousins, she greets them with
false exuberance. She is not offended by their desires to do New York, but tries too hard
to be bright, cheerful and understanding, then retreats into a catatonic depression
whenever the others leave the apartment. She alternates identifying with her young cousins
as a playmate and trying to stroke their hair like a parent. In her eyes she has no
future. Pratt is fragile and needy in a way that calls for parenting herself.
Forty eight hours is all the time the three visitors spend in New York
and the 60 year old Franny glows with remembrance of her big plan. The long view has made
her mellow and philosophical.
Catcher has become an icon of adolescent angst. It has been
the subject of heated academic debates between those who see Holden as a rebel whose
isolation is based on his belief that life is phony, and those who see book as superficial
and corrupting of the young.
An adolescent would be unlikely to be led far astray by Frannys
Way. Adolescent Franny is more preoccupied with having sex with her boyfriend than
suffering from existential angst. In contrast, the more mature audience is likely to
resonate with 60 year old Franny. She appreciates the abandon and single mindedness of
youth, and Sally and Phils straddling of the gulf between adolescence and adulthood,
being pushed faster than they can bear by the childs death. From the distance with
which she looks at her young self she can laugh at the foibles, be amazed at the
callousness and comfortable with her own history.
Los Angeles, June 21, 2003 - Karen Weinstein